PSP auralComp v. 2

Intuitively and gracefully laid out, the PSP auralComp has quickly become my Immersive compressor of choice. It’s flexible and feature full but at its core, it just sounds great!

PSP auralComp is a game-changer for my music production. It gives me the flexibility and control to shape the dynamics and tone of my tracks with ease and precision. Whether I need to add some warmth, clarity or punch to my instrument busses or surround mixes, PSP auralComp delivers amazing results with its intuitive and user-friendly GUI interface. It's not just a compressor, it's an inspiration tool.

PSP has transformed my ideas into an incredible compressor and limiter, delivering an exceptionally open and punchy sound. It effectively controls your audio while maintaining stability and power in your mix. PSP auralComp will give you juicy control over all the essential linking, threshold and gain reduction on any number of channels on top of that it will give you back what you have been missing all along since you moved from Stereo to Immersive mixing.

Not often a product comes out that is so obviously necessary and beautifully executed. The PSP auralComp is one of those. Until I tried it I didn’t know I needed it!

PSP auralComp can give you endless creative possibilities for dynamic control, but at it's core PSP auralComp is a highly musical and beautiful sounding compressor that will end up on many many mixes!

PSP auralComp is so much more than a multi-channel compressor. This is a creative dynamics shaping tool. Unbelievable how well this is thought out. The SC Submix controls and sets alone make this an invaluable must have tool in any multi channel music production. I really love this and can see myself using it not only on stems but also creatively on individual tracks as well.

I use PSP auralComp on my 7.1.2 busses, which gives the ability to not let the LFE trigger the compressor on the ceiling... or not let it trigger as much. Since the side chain submix is automatable, I have the control to reduce how much any given channel is keying the compressor.

We all know routing audio for dynamics control in a multi-channel environment can be a huge nightmare. PSP auralComp gives me a way to treat my surround field in a way that I haven’t been able to do easily before with a compressor. The PSP auralComp brings such a unique vibe and character into mixes that I’ve been using them on all channel formats ranging from mono to quad all the way up to Spatial 7.1.4

PSP auralComp is the plug-in I have been missing. I'm able to use it as a clean multichannel compressor and also as a more musical and driven compressor with the brickwall drive and different summing modes. The ability to group channels and submix is a game changer for multi channel mixing!

PSP auralComp has become my preferred Atmos compressor/limiter as it speeds up my workflow. I put them on all my beds and objects as the final gate keeper on all my mixes. While originally designed for Immersive processing, it also works effectively as a traditional stereo mixing tool. The side chain options are specifically tailored for immersive processing, but it opens up numerous creative possibilities which I am still experimenting with. Considering the limited options for immersive plugins, I strongly recommend PSP auralComp as a valuable addition to any toolkit.

I am slamming PSP auralComp and sounds great! Creamy and open sounding. It seems like it is very light on CPU as well. This is genius! Even for Stereo Mid-Side processing .